liked/learned from the comparative examples of the various mediums/glazes
got a new idea:
i may use for 3 of my prints> after coating the bw kinko print with soft gel a bunch one can remove the paper & the pigment will remain. the example there was of a bw of one of her paintings & had not been painted on>>>sort of a xray quality to it. i like the transparency of it, yet would want to add transparent color i think. if nothing else one would be able to get rid of the crappy bond paper & gesso the back or adhere it to canvas, wc paper, or ? if the transparency remained one could backlight it, hang it, layer it. would need to buy their soft gel to do this.
not big on the texture gel stuff as i have messed a lot with creating my own in the past & can not see spending $$ for something i would not use often.
did like the crackle stuff, yet would prefer it was clear > more diverse application & conducive to mixmedia.
all the sparkly/metalic/irridecent/inference stuff is pretty, yet i shy away from it as an option in art>>>seems to have a fad/trendy stigma attached to it's use. great if i was painting rainbows & unicorns. may work as an underpainting, have tried some & kinda like the bronze, yet fought with it a bit. think i would rather paint on a sheet of metal or leaf if i were to go that route.
guess i just like dirt too much. have added burnt bone, ash, clays to gel medium years ago to use as paint when experimenting with organic type stuff. had a idea of being able to take a few things backpacking & then use whatever was around to create with.
years ago in a class i had an assignment to create something that:
- super cheap that could be constructed with assessable materials
- that was easy to make & fulfilled a need
- targeted a specific, marginalized group (3rd world)
- honored their culture somehow
No comments:
Post a Comment